Upcoming Exhibition:
Metamorphosis –
The Dragon Ceremony
Metamorphosis –
The Dragon Ceremony
8 -22 March 2024, Ayu Community Space
With generous support from many friends in many ways
Friends' Corner Show: Bridie Scott, Kathryn van Beek, Kirsten McAuley and Carolyn Edmonds.
With generous support from many friends in many ways
Friends' Corner Show: Bridie Scott, Kathryn van Beek, Kirsten McAuley and Carolyn Edmonds.
Opening:
Friday 8 March, 6 pm - 8 pm
Alcohol-free event
All welcome
Dance performance by Hannah Rouse
Viewing time:
Sat 9 Mar, 1 pm - 3 pm
Sun 10 Mar, 10 am -12 pm
Sat 16 Mar, 10 am - 12 pm
Wed 20 Mar 3.30 pm- 6 pm
Viewing is available by request until 22 March
Friday 8 March, 6 pm - 8 pm
Alcohol-free event
All welcome
Dance performance by Hannah Rouse
Hannah Rouse is an Ōtepoti dancer who has 28 years of experience in dance. With a background in Ballet, she later embarked on a journey that led her to explore Contemporary and West African dance and now blends these styles together to create her own vocabulary. Hannah has danced, choreographed, directed and performed in theatre performances, community art events, dance films and The Dunedin Fringe Festival. In the last five years she has co-directed and performed in five Mullet Festivals for performance art/dance. Hannah's dance movement practice is inspired by Dada, playfulness, and a deep dive into the recesses of her inner shadow world.
Sat 9 Mar, 1 pm - 3 pm
Sun 10 Mar, 10 am -12 pm
Sat 16 Mar, 10 am - 12 pm
Wed 20 Mar 3.30 pm- 6 pm
Viewing is available by request until 22 March
FREE workshops:
Wed 20 Mar 3.30 pm- 6 pm:
Make your own "Duilian" Single/Couplets in Chinese poetry -
Learn to write 龍 dragon in Chinese character
All age welcome
RSVP by 18 Mar: siaujiun@gmail.com
To become a dragon, you have proven your worth by surviving for a thousand years. The transformation begins when you are born, and you will become a true dragon by crossing various stages of challenges; some give you joy, and some bring you pain. For some, this metamorphosis is a matter of patience; if you claim your beastliness, you will be awarded golden scales that give you pearls of wisdom.
—A History of Dragons: The Truth in Mythology by Ailuv Drah Gonz
These works are delicate to those who have faced challenges and persevered with determination, demonstrating resilience and believing in the impermanence of circumstances. You recognise that suffering is an inherent aspect of the human condition. You try alleviating distress by adopting a resilient approach to coexist with your pains. Here, we are celebrating your growth and courage.
In art, "Metamorphosis - The Dragon Ceremony" is a visual narrative of a dragon transforming. The interpretation of imagination and reality showcases the stages of metamorphosis, capturing the essence of change from happiness, hope, and success to pain, suffering and failure. Then, it repeats. Human life works within constraints to find a balance between the physical world and the inner world. What is real? Was COVID-19 real? Or are our inner thoughts and feelings as "real" as the physical world? The definition of "real" carries the narrative of abstraction between reality and fiction. As such, we are who we think we are; facing our inner reality is a helpless process; even people surrounding us care as much as we do.
This series of works provides an opportunity to convey a narrative of change, growth, and the magical allure of transformation within fantasy and reality. The making process took a slower paint-dripping process as it felt like the heart was dripping as the colour flowed from top to bottom. It is slow and allows things to be as they are.
My experimental process
The creative journey behind this series revolves around a deliberate pace and a patient approach. I experimented with slow-dripping ink and candles, but the candle drips didn't get the desired results. I continued using ink drips and developed a technique that involved black ink, pastels, and acrylics.
Painting is a way to capture time; I often wipe the canvas and start anew when I hit a block with no clear direction. The process of observing the artwork takes up the majority of my time. Although seemingly counterintuitive, this process is essential for the painting to guide me. The ink itself served as a guide, leading me along the path that the artwork should take.
In addition to my usual artistic tools, I experimented with unconventional materials such as feathers, sticks, and cabbage tree leaves, moving away from traditional brushes. I also tried Chinese calligraphy brushes and coloured inks, which allowed me to introduce fluid effects to the canvases and enrich the visual dynamics of the artwork.
Painting teaches me to slow down and see. This series of paintings has been a meditation and healing process for me; it creates an environment where I practice slowing down, holding on, and letting things be.
References:
https://farragomagazine.com/news/article/farrago/The-World-of-Dragons-The-Metamorphosis-Dragon/
https://farragomagazine.com/news/article/farrago/The-World-of-Dragons-The-Metamorphosis-Dragon/
https://artsandculture.google.com/story/the-surprising-history-of-dragons/CgJyM6TaZ5rRJg